Posted at 2015.01.20 Category : Time
英語学習界隈では、資格学習やアウトプット学習に重点を置かれがちです。しかし、英語ができるアドバンテージの一つに日本語では得られない情報をたくさん得られるということも忘れてはいけないでしょう。特に仕事で英語を活かしたい人にとってはこちらの重要性は無視できません。TIMEやEconomistを読むメリットの一つも日本のメディアでは得られない情報が得られることです。
とまあ、仰々しく始めたのですが、今週のTIMEで河原温さんの回顧展がニューヨークのグッゲンハイム美術館で開かれることを知りました。昨年お亡くなりになったことを受けてのことでしょうか。
February 6–May 3, 2015
Through radically restricted means, On Kawara’s work engages the personal and historical consciousness of place and time. Kawara’s practice is often associated with the rise of Conceptual art, yet in its complex wit and philosophical reach, it stands well apart.
Organized with the cooperation of the artist, On Kawara—Silence will be the first full representation of Kawara’s output, beginning in 1964 and including every category of work, much of it produced during his travels across the globe: date paintings (the Today series); postcards (the I Got Up series); telegrams (the I Am Still Alive series); maps (the I Went series); lists of names (the I Met series); newspaper cuttings (the I Read series); the inventory of paintings (Journals); and calendars (One Hundred Years and One Million Years). The exhibition will also present numerous drawings produced in Paris in 1964, which are fascinating proposals for unrealized works; and Kawara’s only two extant paintings of 1965, Location and Title, which herald the Today series. In conjunction with the exhibition, the Guggenheim will organize a continuous live reading of the artist’s One Million Years, the steady recitation of numbers from a vast ledger, which will be performed on the ground floor of the Guggenheim rotunda.
恥ずかしながらほとんど知らなかったのですが、ワシントンポストもニューヨークタイムズもObituaryでは大きく扱っていたようです。
河原温氏、日本を代表するコンセプチュアル・アートの美術家が81歳で死去
Author Information
The Huffington Post | 執筆者： Mallika Rao
投稿日: 2014年07月11日 13時06分 JST
On Kawara, Artist Who Found Elegance in Every Day, Dies at 81
By ROBERTA SMITHJULY 15, 2014
とまあ、仰々しく始めたのですが、今週のTIMEで河原温さんの回顧展がニューヨークのグッゲンハイム美術館で開かれることを知りました。昨年お亡くなりになったことを受けてのことでしょうか。
February 6–May 3, 2015
Through radically restricted means, On Kawara’s work engages the personal and historical consciousness of place and time. Kawara’s practice is often associated with the rise of Conceptual art, yet in its complex wit and philosophical reach, it stands well apart.
Organized with the cooperation of the artist, On Kawara—Silence will be the first full representation of Kawara’s output, beginning in 1964 and including every category of work, much of it produced during his travels across the globe: date paintings (the Today series); postcards (the I Got Up series); telegrams (the I Am Still Alive series); maps (the I Went series); lists of names (the I Met series); newspaper cuttings (the I Read series); the inventory of paintings (Journals); and calendars (One Hundred Years and One Million Years). The exhibition will also present numerous drawings produced in Paris in 1964, which are fascinating proposals for unrealized works; and Kawara’s only two extant paintings of 1965, Location and Title, which herald the Today series. In conjunction with the exhibition, the Guggenheim will organize a continuous live reading of the artist’s One Million Years, the steady recitation of numbers from a vast ledger, which will be performed on the ground floor of the Guggenheim rotunda.
恥ずかしながらほとんど知らなかったのですが、ワシントンポストもニューヨークタイムズもObituaryでは大きく扱っていたようです。
河原温氏、日本を代表するコンセプチュアル・アートの美術家が81歳で死去
Author Information
The Huffington Post | 執筆者： Mallika Rao
投稿日: 2014年07月11日 13時06分 JST
On Kawara, Artist Who Found Elegance in Every Day, Dies at 81
By ROBERTA SMITHJULY 15, 2014
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